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    • Emil Finnerud - Forbidden Paradise
    • Ilavenil Vasuky Jayapalan & Reinert Berg Sortland
    • Katarina Sylvan - Ripper and Stamper
    • Paul Tunge - Mind of Modernism
    • Jon Eirik Kopperud - Røveren
    • Kristian Skylstad - Apocalypzzz
    • Kamilla Langeland - Monotropism (The Autistic Mind)
    • Sjur Eide Aas - The Relentless Flow of All Things
    • SHIPS IN THE NIGHT - RØR
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    • Anatoly Belov & Oksana Kazmina
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    • Petter Solberg
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    • Maria Pasenau
    • Karen Nikgol
    • Anne Senstad
    • Anders S. Solberg
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    • Guerilla Girls
    • Synnøve Sizou G. Wetten
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  • Upcoming
  • EXHIBITIONS
    • Ane Hjort Guttu - På bakken
    • Malthe Møhr - Sja Mægre
    • Jawā – Video Art Exhibition
    • Marvin Sereba - Show Room
    • Thyra Dragseth - oh mother a face in the floor mother oh
    • Doris Guo - The Jar
    • Abirami Logendran - Transposition Poetics
    • Ferdinand Waas - Show Match
    • Charlotte Thiis-Evensen - Movements
    • Patricia Carolina -Beneath the eyelids, a river
    • As long as I remember, as fast as I remember, as strong as I remember
    • Jasper Siverts - True Economy
    • Adin Mušić - Muscle Memory
    • Erin Sexton - Low battery (nye måner)
    • Anton Benois - End of History (Part 1)
    • Beth Von Undall - The Angel Matrices
    • Thomas A. Østbye - CIVIL DISOBEDIENCE
    • Coline Cherry - Mechanism
    • Leander Djønne - BOTNTEIKN
    • Jessica Macmillan - The World Before Eyes
    • The Video Show – I can’t see a thing. I’ll open this one
    • Ørjan Amundsen - "Not Actual Gameplay"
    • Sasha Gymn - Blood And Fingerprints
    • Kaja Krakowian - There in 1
    • Simona Barbera and Ronny Faber Dahl - This cold heat folding in on myself
    • Alex Bunn - Closed timelike curve
    • Mary Hasavari - Genesis
    • PINLIG FORHØR - Marin Håskjold
    • Guoste Tamulynaite and John Andrew Wilhite-Hannisdal
    • Pernille Lindstad Mercury - Inn i Noe
    • Mira Adoumier - Dreams of a wandering Octopus
    • Janne Talstad - Hill of the Poisonous Trees
    • Hamid Waheed - I Think We’ve Waited Long Enough
    • Madelen Lindgren Isa - Eg døyper deg på ei von
    • Emil Finnerud - Forbidden Paradise
    • Ilavenil Vasuky Jayapalan & Reinert Berg Sortland
    • Katarina Sylvan - Ripper and Stamper
    • Paul Tunge - Mind of Modernism
    • Jon Eirik Kopperud - Røveren
    • Kristian Skylstad - Apocalypzzz
    • Kamilla Langeland - Monotropism (The Autistic Mind)
    • Sjur Eide Aas - The Relentless Flow of All Things
    • SHIPS IN THE NIGHT - RØR
    • Tor-Finn Malum Fitje & Thomas Anthony Hill
    • Frøya Records - Dead Boys
    • Yu Shuk Pui Bobby
    • Catalina Aguilera
    • Eli Mai Huang Nesse
    • Eugene Sundelius Von Rosen
    • Nikhil Vettukattil
    • Damla Kilickiran & Viktor Pedersen
    • Solveig Ylva Dagsdottir & Maria Storm-Gran
    • ae73edb7@aeaeaeae.io
    • Thora Dolven Balke
    • Kristian Skylstad
    • Kim Laybourn
    • Magnus Myrtveit & Andrew Read
    • Natasha Tontey
    • fantastic little splash
    • Yin-Ju Chen
    • Tabita Rezaire
    • BLACK QUANTUM FUTURISM
    • Luke Van Gelderen
    • Karen Nikgol
    • Hedda Grevle Ottesen
    • Kornelia Remø Klokk
    • Sandra Mujinga
    • Tokyo Twins
    • Magnus Andreas Hagen Olsen
    • Erik Thörnqvist
    • Gjermund Eskedal
    • Yafei Qi
    • Lova Ranung
    • Tone Bjordam
    • Anatoly Belov & Oksana Kazmina
    • Pluss Pluss : Crime And Punishment
    • Petter Solberg
    • MoonLooper
    • Magne Lyngvær
    • Rasmus Hungnes
    • Maria Pasenau
    • Karen Nikgol
    • Anne Senstad
    • Anders S. Solberg
    • Lesia Vasylchenko
    • Guerilla Girls
    • Synnøve Sizou G. Wetten
    • Andrew Amorim
    • Prins Preben
    • Tim Høibjerg og Thyra Dragseth
    • Ann-Elise Pettersen Hyndøy
    • Ilavenil Jayapalan
  • INFO

Tabita Rezaire

Premium Connect

29.11.-01.12.2019

www.struktura-time.com

Premium Connect envisions a study of information and communication technologies exploring African divination systems, the fungi underworld, ancestors communication and quantum physics to (re)think our information conduits. Overcoming the organism-spirit-device divide, this work explores spiritual connections as communication networks and the possibilities of decolonial technologies. Premium Connect investigates the cybernetic spaces where the organic, technological and spiritual worlds connect.

How can we use biological or metaphysical systems to fuel technological process of information, control and governance? Contrary to the Eurocentric-biased thinking, our information super highway might find its roots in African spirituality. Significant research attributes the birth of binary mathematics - which is the foundation principle of computing sciences - to African divination systems such as Ifa from the Yoruba people, of West Africa. We have much to recover in terms of connectivity and its potentialities. As modern science just recently discovered the role of underground fungi networks used by plants to communicate and transfer information, ancient tradition have long known how to communicate with nature and download its knowledge. This study of dynamic networks from artificial, spiritual and biological environments digs into the politics of possibilities, where a techno-consciousness could nurture a mind-body-spirit-technology symbiosis.

Tabita Rezaire (b.1989, Paris, France) is a French-born Guyanese/Danish new media artist, intersectional preacher, health practitioner, tech-politics researcher and Kemetic/Kundalini Yoga teacher based in Guyana. Rezaire’s practice explores decolonial healing through the politics of technology. Navigating architectures of power – online and offline – her works tackle the pervasive matrix of coloniality and its effects on identity, technology, sexuality, health and spirituality. Rezaire has shown her work internationally at the Berlin Biennale, Tate Modern London, Museum of Modern Art Paris, MoCADA NY, The Broad LA, and Serpentine Gallery in London. Rezaire has presented her work on numerous panels, including Het Nieuwe Institut Rotterdam, Royal Academy The Hague, Kunsthalle Bern, National Gallery Harare, Cairotronica, Fakugezi Digital Art Africa Johannesburg.

STRUKTURA is a cross-disciplinary initiative for research and practice within the framework of visual arts, media archeology, literature and philosophy. STRUKTURA is an exploration of how visual media and information technologies contribute to the ordering and production of time, where both past and future exist in a constantly malleable present. This five-month programme sprawls across virtual online environments and multiple physical venues in Oslo. It consists of exhibitions, film screenings, group readings, public event series and a club night.

STRUKTURA is an independent project initiated and developed by Lesia Vasylchenko.

Design and web development by Magnus Andreas Hagen Olsen. Graphic design by Abirami Logendran.

https://www.instagram.com/struktura.time/

https://www.facebook.com/struktura.time

Tabita Rezaire

Premium Connect

29.11.-01.12.2019

www.struktura-time.com

Premium Connect envisions a study of information and communication technologies exploring African divination systems, the fungi underworld, ancestors communication and quantum physics to (re)think our information conduits. Overcoming the organism-spirit-device divide, this work explores spiritual connections as communication networks and the possibilities of decolonial technologies. Premium Connect investigates the cybernetic spaces where the organic, technological and spiritual worlds connect.

How can we use biological or metaphysical systems to fuel technological process of information, control and governance? Contrary to the Eurocentric-biased thinking, our information super highway might find its roots in African spirituality. Significant research attributes the birth of binary mathematics - which is the foundation principle of computing sciences - to African divination systems such as Ifa from the Yoruba people, of West Africa. We have much to recover in terms of connectivity and its potentialities. As modern science just recently discovered the role of underground fungi networks used by plants to communicate and transfer information, ancient tradition have long known how to communicate with nature and download its knowledge. This study of dynamic networks from artificial, spiritual and biological environments digs into the politics of possibilities, where a techno-consciousness could nurture a mind-body-spirit-technology symbiosis.

Tabita Rezaire (b.1989, Paris, France) is a French-born Guyanese/Danish new media artist, intersectional preacher, health practitioner, tech-politics researcher and Kemetic/Kundalini Yoga teacher based in Guyana. Rezaire’s practice explores decolonial healing through the politics of technology. Navigating architectures of power – online and offline – her works tackle the pervasive matrix of coloniality and its effects on identity, technology, sexuality, health and spirituality. Rezaire has shown her work internationally at the Berlin Biennale, Tate Modern London, Museum of Modern Art Paris, MoCADA NY, The Broad LA, and Serpentine Gallery in London. Rezaire has presented her work on numerous panels, including Het Nieuwe Institut Rotterdam, Royal Academy The Hague, Kunsthalle Bern, National Gallery Harare, Cairotronica, Fakugezi Digital Art Africa Johannesburg.

STRUKTURA is a cross-disciplinary initiative for research and practice within the framework of visual arts, media archeology, literature and philosophy. STRUKTURA is an exploration of how visual media and information technologies contribute to the ordering and production of time, where both past and future exist in a constantly malleable present. This five-month programme sprawls across virtual online environments and multiple physical venues in Oslo. It consists of exhibitions, film screenings, group readings, public event series and a club night.

STRUKTURA is an independent project initiated and developed by Lesia Vasylchenko.

Design and web development by Magnus Andreas Hagen Olsen. Graphic design by Abirami Logendran.

https://www.instagram.com/struktura.time/

https://www.facebook.com/struktura.time

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Supported by Kulturradet